http://www.affordabledesign.pl
Charities and Not-for-profit can benefit from DTP skills. It is my way to believe anyone can make a difference for a better world.
I have just completed the logo for the UAAR ("Unione degli Atei e degli Agnostici Razionalisti"). The original concept (the U over A in the shape of a man) was supplied by the client.
For logo design I am now using a proper Pantone colour guide which will now replace the CMYK callouts and also will allow me to pick the colours of logos more carefully. As my clients are unfortunately unable to judge the colour I pick on paper (they only see what is on their screen - and if they print that, it's down to how well their printer does the job), I am in charge of picking the exact shade.

I presented many fonts, and Universalis Pro by Arkandis Digital Foundry was selected by my client. I then created 5 variants using a set of colours which were globally defined.
For this job I also made some projects, which all featured a visual pun for the Christian cross, but the original design prevailed.


A daycare centre in my area approached me for a logo. Their name is not chosen yet, but their marketing positioning was a focus on learning through play. Therefore the logo had to reflect this essential choice. The three projects above were presented, where for example the letters in a musical set are here to symbolise the formal learning (letters) through play (using music). Similarly, the elephant, a symbol of intelligence, carrying piano-like keys on his back.
The last concept is designed to be more appealing to children, but slightly out of target.
This is the latest project submitted to VoteSmartIndia, an organisation covering the elections in India. The font is free. It is ADF Albertis, from ADF foundry. The logo is basically a stylized outline of India, using the two colours from the Indian national flag. The section of the wheel is subconsciously evoking the democratic process of electing representatives. Project submitted to the client, pending.
A while ago I created this fairly pretentious CV. So there you go, you can now see my real face.
The design makes liberal use of the URW Classico font, which is an approximation of the otherwise famous Optima typeface. The overall layout is somewhat eye-catching, and a twist on the traditional "mugshot in the top right corner". 
The trick here is that the photograph was taken at waist level, therefore making me look way taller than I really am.
Don't try to peek at my address or phone number, they're edited out and replaced by incoherent text.
All fonts have a license which protects their copyright, and some of them are free to use, others not, others only free for non commercial use.
Fonts are like software or images or texts really. Someone worked to create them, they deserve payment for their work.
The issue is that as a lot of people have bunches of TTF, PS and OTF files that have no copy protection, there is a widespread belief that fonts are free to use and that they have no license.
Nothing further from the truth.
Had a look this morning at www.adobe.com
Creative Suite 4 is now happily priced at 1,799 USD. OK it is an impressive piece of software. Upgrade from CS3 (itself a very impressive piece of software) is 599 USD.
Adobe hires designers and they need to sell many licences to pay them. True. But what if, like my clients, you get your money by fund raising, or small university grants? Well that sort of money is just not there for software. So there you go, find a torrent and hack the thing. Bad Bad Bad.
By cracking software, you are first of all doing something illegal (but for which the chance of getting caught remains small), and most importantly you are promoting the release cycles of the software industry (is CS4 not just CS3 + a few fixes + the odd feature or so?) and not promoting alternative solutions.
I run all my logo projects on Inkscape (vectorial design) because while Adobe Illustrator is the standard, Inkscape does awfully well, and for no money at all, including the fact that SVG files are an open standard.
Brochure projects are run on Scribus, which can help my clients rework them and reduces their dependancy to me. Of course Scribus is not better than InDesign. But when something is 90% another one but the price tag is 0, some wheels can start turning in your head.
In short I believe it is wrong to steal a developer's salary, but right to promote a shift in the business model that's in place.

Which implies that enlarging the logo would not be possible. Also I spotted that the spaces between the letters was not harmonious (and that it would be a shame to spoil such a lovely logo with a detail like this). You can see what exactly was done above. The pink letters show where the difference is.
I suggested making this amendment, and delivered pure EPS logos to them.
Logo is property of the Spanish Speaking Organization, designed originally by Rodrigo Pemueller.
http://cyberbuzz.gatech.edu/sso/
This project started as a logo revamping. I only had the verbal description of the existing  logo, which in a way was nice because I could resist the temptation of doing something too closely related to what already existed. First, came my first image of the logo (top left), then two projects, going towards more and more simplicity. The logo on the top right keeps 4 wave crests as a symbol for the 4 founding partners of the company.